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The Door Study
The Maze
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Recent Posts
- 25α Θεατρικά Βραβεία Κοινού από το Αθηνόραμα
- The Modular Case @ Movement Radio
- Return to Normality
- Noise Poetics – Composing with Urban Soundscapes
- Schema Circuit Bending Adventures – Little Beast Modular
- Schema & MOCM make Contact Mic Instruments
- Circuit Bending Strategies – More Than Pitch
- Particle Chant
- My SoundCloud
- City Sound, Mechanical Lifeforms
- Locus Sonus & Reveil
- Noise box improvisations
- I Make Music with Anything
- Links
- Beauty Queen of Leename – Η Βασίλισσα της Ομορφιάς
- The Dishwashers – Οι Λατζέρηδες
- Music for Duncan Macmillan’s People, Places and Things
- Ποιητική Θορύβου – Αστικό Ηχοτοπίο και Σύνθεση
- Music for Conor Mcpherson’s Night Alive
- Άγριος Σπόρος – Agrios Sporos
- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
- live at Triple Bath Festival
- noiz toyz
- Fox Finder
- electroacoustic improvisation
- performances (under construction)
- workshops (under construction)
- Pillow
- pinnatta
- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
- Transference
- Traces
- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
Tag Archives: research
electroacoustic improvisation
About: Reclaiming the Past, Regaining the Real festival Live @ KNOT Gallery
about my electroacoustic work
These pieces use the language of electro-acoustic music. Various methods of sound synthesis, extensive processing of recorded sound (soundscapes, objects, instruments, etc) and micro-montage techniques have been used to encompass a huge range of sound objects into the music, which … Continue reading
Posted in about the pieces, articles, electroacoustic, text
Tagged acousmatic, contemporary classical, counterpoint, electroacoustic, music technology, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, soundscape
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relationships
The variety of stimuli and information on offer in today’s world is immense. Ideas are being generated at high speed and circulate dynamically. We experience intense conflicts, contradictions and paradoxes. Expression of the individual is greatly facilitated and encouraged, while … Continue reading
my favourite music technology
Trevor Wishart writes at the beginning of Audible Design: a) any sound can be the starting material for a musical composition; b) the ways in which this sound may be transformed is limited only by the imagination of the composer; … Continue reading
general concepts
General Concepts ‘‘…we may explore the multidimensional space of sound itself, which may be molded like a sculptural medium in any way we wish…sound composition has become a plastic art like sculpture.’’ Trevor Wishart (1994), Audible Design In very … Continue reading
suvenires
Suvenires Stereo 4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, counterpoint, Cuba, electroacoustic, electronic, experimental, Havana, john Ffitch, market, money, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, souvenires, space, stelios giannoulakis, the electroacoustic gallery, the-money-project
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the door study
The Door Study Stereo 3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, berlin, computer music, concrete, contemporary classical, counterpoint, door, electroacoustic, electronic, experimental, john Ffitch, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, space, stelios giannoulakis, the door project, the electroacoustic gallery
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rainwater
Rainwater Two stereo versions 12:27, 5:58 …A meditative piece for autumn bridging the distance between summer and winter, as well as between remote places of the globe that I find myself at depending on the season… The sound of rain … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, Athens, avant-garde, computer music, concrete, contemporary classical, counterpoint, cross fade, drainpipe, electroacoustic, electroacoustic music, electronic, Environment, experimental, fusion, max/msp, music, musique concrete, Rain, rainwater, relationships: fusion and dialectic, research, sonic art, sonic environment, sound design, sound diffusion, sound editing, sound of rain, stelios giannoulakis, the electroacoustic gallery, water sounds
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chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
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rites of passage, 24 hours in passage international
Rites of Passage, 24 Hours in Passage International Composition for a place of passage: Material/Function – Live space Eight channel & stereo versions 24:00 …In two intersecting alleys under glass small shops are selling books, comics, perfumes, jewellery, records, … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, France, function, Lieux Insolites, material, music, musique concrete, passage, Recording studio, Reims, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, sound editing, space, stelios giannoulakis, studio cesare, sube, the electroacoustic gallery
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the maze
The Maze 12:06 Exploring architectural space …cold wind, echoing noise. A door leading out of a strange room with very high ceiling. I had no idea how I’d got there, my brain flooded with alien memories. Behind the walls all … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, editing, electroacoustic, electronic, experimental, ilusion, Maze, music, musique concrete, relationships: fusion and dialectic, research, sound design, space, stelios giannoulakis, the electroacoustic gallery
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materialisation
Materialisation 10:13 2011 The idea behind the work is the process of coming into being. In an abstract sonic world, made with additive synthesis and frequency manipulation techniques, sonic entities acquire various degrees of tangibility while their apparent causal connection … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, additive synthesis, avant-garde, causal connection, composition, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, frequency shifting, image sonification, in form, manipulation techniques, music, musique concrete, research, sonic art, sonic world, sonification, sound design, sound editing, stelios giannoulakis, tangibility
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relationships: fusion and dialectic
submitted 2004, as part of my PhD requirements at the University of Wales Bangor. General Concepts ‘‘…we may explore the multidimensional space of sound itself, which may be moulded like a sculptural medium in any way we wish…sound composition has … Continue reading
stelios giannoulakis 