-
The Door Study
The Maze
- acousmatic
- acousmatique
- additive synthesis
- alternative controllers
- architecture
- Arts
- Athens
- avant-garde
- causal connection
- circuit bending
- cirquit bending
- composition
- compositions
- computer music
- concrete
- contemporary classical
- counterpoint
- cross genre
- dance
- didjeridoo
- DIY
- drone
- Drum and bass
- electroacoustic
- electroacoustic music
- electronic
- experimental
- frequency shifting
- fusion
- glitch
- guitar
- image sonification
- improvisation
- improvisation groups
- in form
- john Ffitch
- live
- manipulation techniques
- Maze
- multimedia
- music
- Musical composition
- music sections
- music technology
- musique concrete
- Noise
- performance
- PhD
- pinnatta
- Poetics
- portfolio
- real world sound
- recording
- relationships
- relationships: fusion and dialectic
- research
- sonic art
- sonic world
- sonification
- Sound
- sound design
- sound diffusion
- sound editing
- sound processing
- soundscape
- space
- stelios giannoulakis
- tangibility
- theater
- the electroacoustic gallery
- the way in
- Urban Soundscape
- work in progress
- workshop
- διάχυση ήχου
-
Recent Posts
- 25α Θεατρικά Βραβεία Κοινού από το Αθηνόραμα
- The Modular Case @ Movement Radio
- Return to Normality
- Noise Poetics – Composing with Urban Soundscapes
- Schema Circuit Bending Adventures – Little Beast Modular
- Schema & MOCM make Contact Mic Instruments
- Circuit Bending Strategies – More Than Pitch
- Particle Chant
- My SoundCloud
- City Sound, Mechanical Lifeforms
- Locus Sonus & Reveil
- Noise box improvisations
- I Make Music with Anything
- Links
- Beauty Queen of Leename – Η Βασίλισσα της Ομορφιάς
- The Dishwashers – Οι Λατζέρηδες
- Music for Duncan Macmillan’s People, Places and Things
- Ποιητική Θορύβου – Αστικό Ηχοτοπίο και Σύνθεση
- Music for Conor Mcpherson’s Night Alive
- Άγριος Σπόρος – Agrios Sporos
- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
- live at Triple Bath Festival
- noiz toyz
- Fox Finder
- electroacoustic improvisation
- performances (under construction)
- workshops (under construction)
- Pillow
- pinnatta
- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
- Transference
- Traces
- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
Tag Archives: computer music
electroacoustic improvisation
About: Reclaiming the Past, Regaining the Real festival Live @ KNOT Gallery
Pivot Line
Acousmatic study with lines and dots in three parts. I recorded about one hour of improvisation on laptop and controllers, accompanying contemporary dance. This material included specific types of sound objects and sound behaviors, as well as certain elements of … Continue reading
About working with soundscape recordings
I have been recording “real world” sound from the very beginning of my involvement with electroacoustic composition. Getting my main influences from composers such as Trevor Wishart, Jonty Harrison, Francis Dhomond, François Baille, Ives Daust, Beatriz Ferreira and others from … Continue reading
Posted in about the pieces, articles, text
Tagged acousmatic, computer music, contemporary classical, electroacoustic, electroacoustic music, in form, Musical composition, musique concrete, relationships: fusion and dialectic, sonic art, sound diffusion, Sound recording and reproduction, soundscape, the electroacoustic gallery, the way in, Tools and Equipment
Leave a comment
suvenires
Suvenires Stereo 4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, counterpoint, Cuba, electroacoustic, electronic, experimental, Havana, john Ffitch, market, money, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, souvenires, space, stelios giannoulakis, the electroacoustic gallery, the-money-project
Leave a comment
the door study
The Door Study Stereo 3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, berlin, computer music, concrete, contemporary classical, counterpoint, door, electroacoustic, electronic, experimental, john Ffitch, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, space, stelios giannoulakis, the door project, the electroacoustic gallery
1 Comment
love raga
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, extended techniques, guitar, hysteria, music, musique concrete, processing, stratocaster, the way in
Leave a comment
rainwater
Rainwater Two stereo versions 12:27, 5:58 …A meditative piece for autumn bridging the distance between summer and winter, as well as between remote places of the globe that I find myself at depending on the season… The sound of rain … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, Athens, avant-garde, computer music, concrete, contemporary classical, counterpoint, cross fade, drainpipe, electroacoustic, electroacoustic music, electronic, Environment, experimental, fusion, max/msp, music, musique concrete, Rain, rainwater, relationships: fusion and dialectic, research, sonic art, sonic environment, sound design, sound diffusion, sound editing, sound of rain, stelios giannoulakis, the electroacoustic gallery, water sounds
Leave a comment
chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
Leave a comment
rites of passage, 24 hours in passage international
Rites of Passage, 24 Hours in Passage International Composition for a place of passage: Material/Function – Live space Eight channel & stereo versions 24:00 …In two intersecting alleys under glass small shops are selling books, comics, perfumes, jewellery, records, … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, France, function, Lieux Insolites, material, music, musique concrete, passage, Recording studio, Reims, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, sound editing, space, stelios giannoulakis, studio cesare, sube, the electroacoustic gallery
1 Comment
the maze
The Maze 12:06 Exploring architectural space …cold wind, echoing noise. A door leading out of a strange room with very high ceiling. I had no idea how I’d got there, my brain flooded with alien memories. Behind the walls all … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, editing, electroacoustic, electronic, experimental, ilusion, Maze, music, musique concrete, relationships: fusion and dialectic, research, sound design, space, stelios giannoulakis, the electroacoustic gallery
Leave a comment
materialisation
Materialisation 10:13 2011 The idea behind the work is the process of coming into being. In an abstract sonic world, made with additive synthesis and frequency manipulation techniques, sonic entities acquire various degrees of tangibility while their apparent causal connection … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, additive synthesis, avant-garde, causal connection, composition, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, frequency shifting, image sonification, in form, manipulation techniques, music, musique concrete, research, sonic art, sonic world, sonification, sound design, sound editing, stelios giannoulakis, tangibility
2 Comments
with medea electronique
Posted in cross genre, electroacoustic, improvisation, multimedia, music, projects
Tagged avant-garde, collaboration, computer music, cross genre, Drum and bass, electroacoustic, electronic, experimental, improvisation groups, multimedia, music, performance, sonic art, structured improvisation
Leave a comment
stelios giannoulakis 