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The Door Study
The Maze
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Recent Posts
- 25α Θεατρικά Βραβεία Κοινού από το Αθηνόραμα
- The Modular Case @ Movement Radio
- Return to Normality
- Noise Poetics – Composing with Urban Soundscapes
- Schema Circuit Bending Adventures – Little Beast Modular
- Schema & MOCM make Contact Mic Instruments
- Circuit Bending Strategies – More Than Pitch
- Particle Chant
- My SoundCloud
- City Sound, Mechanical Lifeforms
- Locus Sonus & Reveil
- Noise box improvisations
- I Make Music with Anything
- Links
- Beauty Queen of Leename – Η Βασίλισσα της Ομορφιάς
- The Dishwashers – Οι Λατζέρηδες
- Music for Duncan Macmillan’s People, Places and Things
- Ποιητική Θορύβου – Αστικό Ηχοτοπίο και Σύνθεση
- Music for Conor Mcpherson’s Night Alive
- Άγριος Σπόρος – Agrios Sporos
- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
- live at Triple Bath Festival
- noiz toyz
- Fox Finder
- electroacoustic improvisation
- performances (under construction)
- workshops (under construction)
- Pillow
- pinnatta
- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
- Transference
- Traces
- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
Tag Archives: real world sound
about my electroacoustic work
These pieces use the language of electro-acoustic music. Various methods of sound synthesis, extensive processing of recorded sound (soundscapes, objects, instruments, etc) and micro-montage techniques have been used to encompass a huge range of sound objects into the music, which … Continue reading
Posted in about the pieces, articles, electroacoustic, text
Tagged acousmatic, contemporary classical, counterpoint, electroacoustic, music technology, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, soundscape
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suvenires
Suvenires Stereo 4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, counterpoint, Cuba, electroacoustic, electronic, experimental, Havana, john Ffitch, market, money, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, souvenires, space, stelios giannoulakis, the electroacoustic gallery, the-money-project
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the door study
The Door Study Stereo 3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, berlin, computer music, concrete, contemporary classical, counterpoint, door, electroacoustic, electronic, experimental, john Ffitch, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, space, stelios giannoulakis, the door project, the electroacoustic gallery
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chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
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