Tag Archives: sonic art

Ποιητική Θορύβου – Αστικό Ηχοτοπίο και Σύνθεση

This paper attempts to analyze the role of urban soundscape in electroacoustic acousmatic composition, looking at my own work, as well as with a view on contemporary music in general. Exploring the concept of noise in our culture, I approach the mechanisms that allow the sounds of everyday experience to participate in the development of a poetics rich in emotional dynamic, connected with fundamental elements of our music tradition and directly dependent on the way we experience sound.

A large part of my source recordings takes place in the city. Urban soundscapes have become the new natural sound environment for the people of the city. Over a century of exposition to sound by machines, crowds, plastic and metal, pure tones and recorded music embedded in everyday background, tends to redefine the processes and archetypes that govern the way we evaluate sound as art, as well as our emotional responses to it. The meaning and cultural significance of noise radically change.

Having chosen recorded sound as the main material of my sonic art, I sometimes use unprocessed sound and drive the composition forward by cutting, juxtaposing and mixing, playing with connotations, and the locally emerging myth. Alternatively, I might use the recording as a malleable material that I can change and warp around to the extreme. ‘Real-world’ sound has always had a certain power on the mind of the listener and so have the processes of its transformation, subtle or dramatic, gradual or sudden, playing with degrees of recognizability and laying out some kind of idiosyncratic dreamscape for listeners to let evolve and explore in their own mind. Continue reading

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Athens Science Festival – Performance and Workshop

Athens Science Festival took place From 17 to 22 Μarch at Technopolis, Athens I held a workshop on Circuit bending and Improvisation as well as a live performance with circuit bent devices I edited the material from this recording into a … Continue reading

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ICMC 2014 – what an experience!

I worked for the joint ICMC|SMC|2014 Conference that took place in Athens, Greece, from 14 to 20 September 2014. Served as a member of the music jury. As one of the curators I prepared electroacoustic fixed media and mixed media concerts for the conference. … Continue reading

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HorsieBiu

line out, speaker off, pitch control (potentiometer, body contacts, photocell momentary/latch), drone switch, pulse train switch, overdrive momentary/latch.

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Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s

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Circuit bent toys performance

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live at Triple Bath Festival

Circuit bent toys live at the Triple Bath Festival, 7 Feb 2014, Anamesa Art Space, Athens Greece

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electroacoustic improvisation

About: Reclaiming the Past, Regaining the Real festival   Live @ KNOT Gallery  

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Athens Sound Walks – Big Village Dynamics

I recorded a series of routes in the centre of Athens during November and December 2009. Starting off from my house I walk in the streets, use the metro and end up wandering through the pedestrian zones at Thisio and … Continue reading

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Pivot Line

Acousmatic study with lines and dots in three parts. I recorded about one hour of improvisation on laptop and controllers, accompanying contemporary dance. This material included specific types of sound objects and sound behaviors, as well as certain elements of … Continue reading

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Transference

Stereo for multi speaker diffusion – 8:27 Noise, detachment and dreamlike transportation. A meditation on the soundscape of the city . I made this piece using the sound of a horn/car alarm and the noises of cars and motorbikes. It … Continue reading

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About working with soundscape recordings

I have been recording “real world” sound from the very beginning of my involvement with electroacoustic composition. Getting my main influences from composers such as Trevor Wishart, Jonty Harrison, Francis Dhomond, François Baille, Ives Daust, Beatriz Ferreira and others from … Continue reading

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about my electroacoustic work

These pieces use the language of electro-acoustic music. Various methods of sound synthesis, extensive processing of recorded sound (soundscapes, objects, instruments, etc) and micro-montage techniques have been used to encompass a huge range of sound objects into the music, which … Continue reading

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relationships

The variety of stimuli and information on offer in today’s world is immense. Ideas are being generated at high speed and circulate dynamically. We experience intense conflicts, contradictions and paradoxes. Expression of the individual is greatly facilitated and encouraged, while … Continue reading

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my favourite music technology

Trevor Wishart writes at the beginning of Audible Design: a) any sound can be the starting material for a musical composition; b) the ways in which this sound may be transformed is limited only by the imagination of the composer; … Continue reading

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general concepts

 General Concepts ‘‘…we may explore the multidimensional space of sound itself, which may be molded like a sculptural medium in any way we wish…sound composition has become a plastic art like sculpture.’’ Trevor Wishart (1994), Audible Design   In very … Continue reading

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suvenires

Suvenires Stereo               4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading

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the door study

The Door Study Stereo               3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading

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rainwater

Rainwater Two stereo versions      12:27,    5:58 …A meditative piece for autumn bridging the distance between summer and winter, as well as between remote places of the globe that I find myself at depending on the season… The sound of rain … Continue reading

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chaotic Lucidity

Chaotic Lucidity Stereo               14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading

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