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Recent Posts
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- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
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- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
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- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
- video poetry
- A&B&S&A
- About working with soundscape recordings
- about my electroacoustic work
- relationships
- my favourite music technology
- general concepts
- suvenires
- the door study
- Limiting raw material. Preset sources and sound families.
- think of a woman
- love raga
- rainwater
- chaotic Lucidity
- sinusexplorer
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- control for the People
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Tag Archives: fusion
relationships
The variety of stimuli and information on offer in today’s world is immense. Ideas are being generated at high speed and circulate dynamically. We experience intense conflicts, contradictions and paradoxes. Expression of the individual is greatly facilitated and encouraged, while … Continue reading
my favourite music technology
Trevor Wishart writes at the beginning of Audible Design: a) any sound can be the starting material for a musical composition; b) the ways in which this sound may be transformed is limited only by the imagination of the composer; … Continue reading
general concepts
General Concepts ‘‘…we may explore the multidimensional space of sound itself, which may be molded like a sculptural medium in any way we wish…sound composition has become a plastic art like sculpture.’’ Trevor Wishart (1994), Audible Design In very … Continue reading
rainwater
Rainwater Two stereo versions 12:27, 5:58 …A meditative piece for autumn bridging the distance between summer and winter, as well as between remote places of the globe that I find myself at depending on the season… The sound of rain … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, Athens, avant-garde, computer music, concrete, contemporary classical, counterpoint, cross fade, drainpipe, electroacoustic, electroacoustic music, electronic, Environment, experimental, fusion, max/msp, music, musique concrete, Rain, rainwater, relationships: fusion and dialectic, research, sonic art, sonic environment, sound design, sound diffusion, sound editing, sound of rain, stelios giannoulakis, the electroacoustic gallery, water sounds
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chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
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relationships: fusion and dialectic
General Concepts ‘‘…we may explore the multidimensional space of sound itself, which may be moulded like a sculptural medium in any way we wish…sound composition has become a plastic art like sculpture.’’ Wishart (1994), Audible Design Towards the completion … Continue reading
