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The Door Study
The Maze
- acousmatic acousmatique additive synthesis alternative controllers architecture Arts Athens avant-garde causal connection circuit bending cirquit bending composition compositions computer music concrete contemporary classical counterpoint cross genre dance didjeridoo drone Drum and bass editing electroacoustic electroacoustic music electronic experimental frequency shifting fusion glitch guitar ilusion image sonification improvisation improvisation groups in form john Ffitch live manipulation techniques Maze multimedia music Musical composition music sections music technology musique concrete Noise performance PhD pinnatta portfolio real world sound Recording studio Reims relationships relationships: fusion and dialectic research sonic art sonic world sonification Sound sound design sound diffusion sound editing sound processing soundscape space stelios giannoulakis tangibility theater the electroacoustic gallery the way in work in progress workshop διάχυση ήχου
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Recent Posts
- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
- live at Triple Bath Festival
- noiz toyz
- Fox Finder
- electroacoustic improvisation
- performances (under construction)
- workshops (under construction)
- Pillow
- pinnatta
- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
- Transference
- Traces
- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
- video poetry
- A&B&S&A
- About working with soundscape recordings
- about my electroacoustic work
- relationships
- my favourite music technology
- general concepts
- suvenires
- the door study
- Limiting raw material. Preset sources and sound families.
- think of a woman
- love raga
- rainwater
- chaotic Lucidity
- sinusexplorer
- elektrobalkana
- control for the People
- rites of passage, 24 hours in passage international
- the maze
- materialisation
Category Archives: about the pieces
Athens Sound Walks – Big Village Dynamics
I recorded a series of routes in the centre of Athens during November and December 2009. Starting off from my house I walk in the streets, use the metro and end up wandering through the pedestrian zones at Thisio and … Continue reading
Pivot Line
Acousmatic study with lines and dots in three parts. I recorded about one hour of improvisation on laptop and controllers, accompanying contemporary dance. This material included specific types of sound objects and sound behaviors, as well as certain elements of … Continue reading
Transference
Stereo for multi speaker diffusion – 8:27 Noise, detachment and dreamlike transportation. A meditation on the soundscape of the city . I made this piece using the sound of a horn/car alarm and the noises of cars and motorbikes. It … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged alarm, Audio, car alarm, city, electroacoustic, horn, in form, meditation, music, Natural sounds, sonic art, sound design, soundscape, soundscapes, transit, transportation
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About working with soundscape recordings
I have been recording “real world” sound from the very beginning of my involvement with electroacoustic composition. Getting my main influences from composers such as Trevor Wishart, Jonty Harrison, Francis Dhomond, François Baille, Ives Daust, Beatriz Ferreira and others from … Continue reading
Posted in about the pieces, articles, text
Tagged acousmatic, computer music, contemporary classical, electroacoustic, electroacoustic music, in form, Musical composition, musique concrete, relationships: fusion and dialectic, sonic art, sound diffusion, Sound recording and reproduction, soundscape, the electroacoustic gallery, the way in, Tools and Equipment
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about my electroacoustic work
These pieces use the language of electro-acoustic music. Various methods of sound synthesis, extensive processing of recorded sound (soundscapes, objects, instruments, etc) and micro-montage techniques have been used to encompass a huge range of sound objects into the music, which … Continue reading
Posted in about the pieces, articles, electroacoustic, text
Tagged acousmatic, contemporary classical, counterpoint, electroacoustic, music technology, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, soundscape
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my favourite music technology
Trevor Wishart writes at the beginning of Audible Design: a) any sound can be the starting material for a musical composition; b) the ways in which this sound may be transformed is limited only by the imagination of the composer; … Continue reading
suvenires
Suvenires Stereo 4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, counterpoint, Cuba, electroacoustic, electronic, experimental, Havana, john Ffitch, market, money, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, souvenires, space, stelios giannoulakis, the electroacoustic gallery, the-money-project
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the door study
The Door Study Stereo 3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, berlin, computer music, concrete, contemporary classical, counterpoint, door, electroacoustic, electronic, experimental, john Ffitch, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, space, stelios giannoulakis, the door project, the electroacoustic gallery
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Limiting raw material. Preset sources and sound families.
The Door Study was the first in this series to have strict conditions on its source material. I made everything out of the short sample of a door opening and closing. On all the previous pieces there were no specific … Continue reading
love raga
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, extended techniques, guitar, hysteria, music, musique concrete, processing, stratocaster, the way in
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rainwater
Rainwater Two stereo versions 12:27, 5:58 …A meditative piece for autumn bridging the distance between summer and winter, as well as between remote places of the globe that I find myself at depending on the season… The sound of rain … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, Athens, avant-garde, computer music, concrete, contemporary classical, counterpoint, cross fade, drainpipe, electroacoustic, electroacoustic music, electronic, Environment, experimental, fusion, max/msp, music, musique concrete, Rain, rainwater, relationships: fusion and dialectic, research, sonic art, sonic environment, sound design, sound diffusion, sound editing, sound of rain, stelios giannoulakis, the electroacoustic gallery, water sounds
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chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
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rites of passage, 24 hours in passage international
Rites of Passage, 24 Hours in Passage International Composition for a place of passage: Material/Function – Live space Eight channel & stereo versions 24:00 …In two intersecting alleys under glass small shops are selling books, comics, perfumes, jewellery, records, … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, France, function, Lieux Insolites, material, music, musique concrete, passage, Recording studio, Reims, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, sound editing, space, stelios giannoulakis, studio cesare, sube, the electroacoustic gallery
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the maze
The Maze 12:06 Exploring architectural space …cold wind, echoing noise. A door leading out of a strange room with very high ceiling. I had no idea how I’d got there, my brain flooded with alien memories. Behind the walls all … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, architecture, avant-garde, computer music, concrete, contemporary classical, editing, electroacoustic, electronic, experimental, ilusion, Maze, music, musique concrete, relationships: fusion and dialectic, research, sound design, space, stelios giannoulakis, the electroacoustic gallery
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materialisation
Materialisation 10:13 2011 The idea behind the work is the process of coming into being. In an abstract sonic world, made with additive synthesis and frequency manipulation techniques, sonic entities acquire various degrees of tangibility while their apparent causal connection … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, additive synthesis, avant-garde, causal connection, composition, computer music, concrete, contemporary classical, electroacoustic, electronic, experimental, frequency shifting, image sonification, in form, manipulation techniques, music, musique concrete, research, sonic art, sonic world, sonification, sound design, sound editing, stelios giannoulakis, tangibility
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