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The Door Study
The Maze
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Recent Posts
- 25α Θεατρικά Βραβεία Κοινού από το Αθηνόραμα
- The Modular Case @ Movement Radio
- Return to Normality
- Noise Poetics – Composing with Urban Soundscapes
- Schema Circuit Bending Adventures – Little Beast Modular
- Schema & MOCM make Contact Mic Instruments
- Circuit Bending Strategies – More Than Pitch
- Particle Chant
- My SoundCloud
- City Sound, Mechanical Lifeforms
- Locus Sonus & Reveil
- Noise box improvisations
- I Make Music with Anything
- Links
- Beauty Queen of Leename – Η Βασίλισσα της Ομορφιάς
- The Dishwashers – Οι Λατζέρηδες
- Music for Duncan Macmillan’s People, Places and Things
- Ποιητική Θορύβου – Αστικό Ηχοτοπίο και Σύνθεση
- Music for Conor Mcpherson’s Night Alive
- Άγριος Σπόρος – Agrios Sporos
- EleKtroBalKana at Soiree De Votanique
- Improvisation with Circuit Bent Toys and Selected Digital Processes
- Circuit Bent Summer Love
- HELMCA – Electroacoustic Miniatures
- Music and Sound Design for Pinnatta
- research as practice
- Athens Science Festival – Performance and Workshop
- RSLG Quartet
- ICMC 2014 – what an experience!
- HorsieBiu
- Live @ 3ο ΦΕΣΤΙΒΑΛ ΠΟΛΛΗΣ ΜΟΥΣΙΚΗΣ, six d.o.g.s
- Circuit bent toys performance
- live at Triple Bath Festival
- noiz toyz
- Fox Finder
- electroacoustic improvisation
- performances (under construction)
- workshops (under construction)
- Pillow
- pinnatta
- Faidron & Schema
- Athens Sound Walks – Big Village Dynamics
- Pivot Line
- Transference
- Traces
- Game Over
- Dark Chair
- Blue John & Schema Rambling Duet
- The Making of Balkan Wars: The Game
- Paramana – Crescent Moon Bear
Tag Archives: Musical composition
Athens Sound Walks – Big Village Dynamics
I recorded a series of routes in the centre of Athens during November and December 2009. Starting off from my house I walk in the streets, use the metro and end up wandering through the pedestrian zones at Thisio and … Continue reading
Pivot Line
Acousmatic study with lines and dots in three parts. I recorded about one hour of improvisation on laptop and controllers, accompanying contemporary dance. This material included specific types of sound objects and sound behaviors, as well as certain elements of … Continue reading
The Making of Balkan Wars: The Game
“The Making of Balkan Wars: The Game” is a Personal Cinema project primarily focused on the social and cultural issues within the Peninsula and on the creation of a network between artists, art critics, writers and curators from South eastern … Continue reading
Posted in multimedia, projects
Tagged Balkan, Balkan Wars, balkan wars: the game, Games, History, multimedia, Musical composition, personal cinema, Sarajevo, sound design, Video game
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Paramana – Crescent Moon Bear
The show is based on the Japanese story Tsuki no Waguma, -The Crescent Moon Bear. By using three dimensional shadow theatre techniques, an originally hand-made projector, live narration and live electronic music we travel back in time to the Trench … Continue reading
About working with soundscape recordings
I have been recording “real world” sound from the very beginning of my involvement with electroacoustic composition. Getting my main influences from composers such as Trevor Wishart, Jonty Harrison, Francis Dhomond, François Baille, Ives Daust, Beatriz Ferreira and others from … Continue reading
Posted in about the pieces, articles, text
Tagged acousmatic, computer music, contemporary classical, electroacoustic, electroacoustic music, in form, Musical composition, musique concrete, relationships: fusion and dialectic, sonic art, sound diffusion, Sound recording and reproduction, soundscape, the electroacoustic gallery, the way in, Tools and Equipment
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about my electroacoustic work
These pieces use the language of electro-acoustic music. Various methods of sound synthesis, extensive processing of recorded sound (soundscapes, objects, instruments, etc) and micro-montage techniques have been used to encompass a huge range of sound objects into the music, which … Continue reading
Posted in about the pieces, articles, electroacoustic, text
Tagged acousmatic, contemporary classical, counterpoint, electroacoustic, music technology, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, sound design, sound diffusion, soundscape
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suvenires
Suvenires Stereo 4:08 The Money Project for ICMC2002 called for pieces to be based on a short recording of people advertising souvenirs at an outdoor market in Havana, Cuba.[1] The voices, tired from repetition and the daily tourist circus, had … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, computer music, concrete, contemporary classical, counterpoint, Cuba, electroacoustic, electronic, experimental, Havana, john Ffitch, market, money, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, souvenires, space, stelios giannoulakis, the electroacoustic gallery, the-money-project
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the door study
The Door Study Stereo 3:59 This piece was part of The Door Project.[1] The sound of doors is being used a lot in acousmatic music for the strong literal and metaphoric significance it has for most people and for its … Continue reading
Posted in about the pieces, electroacoustic, music
Tagged acousmatic, acousmatique, avant-garde, berlin, computer music, concrete, contemporary classical, counterpoint, door, electroacoustic, electronic, experimental, john Ffitch, music, Musical composition, musique concrete, real world sound, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, sound processing, soundscape, space, stelios giannoulakis, the door project, the electroacoustic gallery
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chaotic Lucidity
Chaotic Lucidity Stereo 14:58 …Sand, the waves of the sea, a crowd talking, drumming on a beach, an explosion, life, molecules, free jazz. Elementary building parts of larger structures might behave chaotically and at the same time follow general principles … Continue reading
Posted in about the pieces, electroacoustic, fusion and dialectic, music
Tagged acousmatic, acousmatique, avant-garde, chaotic lucidity, computer music, concrete, contemporary classical, counterpoint, electroacoustic, electronic, experimental, fusion, Lucid Imagination, music, Musical composition, musique concrete, real world sound, relationships, relationships: fusion and dialectic, research, sonic art, Sound, sound design, sound diffusion, sound editing, soundscape, space, stelios giannoulakis, the electroacoustic gallery, VCS3
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stelios giannoulakis 